Timeless Simplicity

just a blog about stuff...feel free to leave if i bore you. No hard feelings.

I am so sick of
being told to be
all soft edges
and satin skin
stained lips
and porcelain
I don’t want to only feel
beautiful when I am
a raw, untouched blossom
that’s never been plucked
I want to be razorblades
and tongue rings
I want my scars to show
you where I’ve been
and my outsides
to match who I feel
like within

Soft Edges and Satin Skin | Lora Mathis (via lora-mathis)

today is woman’s equality day 

(via lora-mathis)

(via leventricule)

sanahgohar:

This is what I love about Winter. You wake up in the middle of the night, maybe just to pee or get water or something, look out the window and see this. It’s so beautiful. And it’s silent; you have no idea that it’s happening until you just look. It almost seems fake. And it makes your bed seem way more comfortable, for whatever reason.

sanahgohar:

This is what I love about Winter. You wake up in the middle of the night, maybe just to pee or get water or something, look out the window and see this. It’s so beautiful. And it’s silent; you have no idea that it’s happening until you just look. It almost seems fake. And it makes your bed seem way more comfortable, for whatever reason.

(via bluehairedanimeboy)

maimitch:

I know how it feels to love you.

sometimes I kiss people I shouldn’t kiss and let them unbutton my jeans sometimes I leave English class without asking and walk in angular circles until I can hear the blood rushing under my skin sometimes I run until I can’t breathe sometimes I sit in the rain sometimes I sleep for six hours in the middle of the day

sometimes I drive too fast and listen to my music so loud that it hurts sometimes I drink until everything goes black and I don’t remember talking about you all night (even though I do)

sometimes I cry about books and about people who died hundreds of years ago sometimes I don’t cry even though I want to more than anything sometimes I ignore the people I love sometimes I hold myself to keep everything in because you are not here to do it

sometimes I think I’m alive sometimes I think I probably never will be

—L.C. (via porn4smartgirls)

(via prettythingslie)

Writing Advice: by Chuck Palahniuk

In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.

From this point forward—at least for the next half year—you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.

The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those later.

Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”

Instead, you’ll have to Un-pack that to something like: “The
mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.”

Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.

Instead of saying: “Adam knew Gwen liked him.” You’ll have to say: “Between classes, Gwen had always leaned on his locker when he’d go to open it. She’s roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again.”

In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.

Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later). In a way, they state the intention of the paragraph. And what follows, illustrates them.

For example:
“Brenda knew she’d never make the deadline. was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…”

Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.

If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.

Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.

Don’t tell your reader: “Lisa hated Tom.”

Instead, make your case like a lawyer in court, detail by detail.

Present each piece of evidence. For example: “During roll call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout ‘Butt Wipe,’ just as Tom was saying, ‘Here’.”

One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.

For example: Waiting for the bus, Mark started to worry about how long the trip would take…”

A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”

A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.

Oh, and you can just forget about using the verbs forget and remember.

No more transitions such as: “Wanda remembered how Nelson used to brush her hair.”

Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”

Again, Un-pack. Don’t take short-cuts.

Better yet, get your character with another character, fast.
Get them together and get the action started. Let their actions and words show their thoughts. You—stay out of their heads.

And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”

For example:
“Ann’s eyes are blue.”

“Ann has blue eyes.”

Versus:

“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”

Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.

And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.”

Please. For now, hate me all you want, but don’t use thought verbs. After Christmas, go crazy, but I’d bet money you won’t.

(…)

For this month’s homework, pick through your writing and circle every “thought” verb. Then, find some way to eliminate it. Kill it by Un-packing it.

Then, pick through some published fiction and do the same thing. Be ruthless.

“Marty imagined fish, jumping in the moonlight…”

“Nancy recalled the way the wine tasted…”

“Larry knew he was a dead man…”

Find them. After that, find a way to re-write them. Make them stronger.

mamalaz:

troyesivan:

mandycreates:

kethera:

coconutcoconutcoconut:

youneedmeoryourenothing:

#actors who are actually their character

the greatest casting ever.

Even better when you think about how Dan got a place for himself in NY to continue his career, Emma went to a school in USA, and Rupert bought an ice cream truck.

Follow your dreams Rupert

I didn’t know this. So I looked it up and - HE ACTUALLY DID.image

‘I keep my van well stocked. It’s got a proper machine that dispenses Mr Whippy ice cream and I buy my lollies wholesale – 50 for a tenner – so I never run short.

I’m not allowed to sell my merchandise. I’d need a licence for that. ‘I tend to avoid July and August, but the rest of the year I’ll drive around the local villages and if I see some kids looking like they’re in need of ice creams, I’ll pull over and dish them out for free. They’ll say, “Ain’t you Ron Weasley?” And I’ll say, “It’s strange, I get asked that a lot.”

It makes it even better that he just GIVES the icecream away.

this poST GETS MORE AND MORE AMAZING AS YOU READ

This is a prime example of why both Ron and Rupert are my favourites

(Source: mygeekself, via thegirlwhofellalot)